As Britain becomes engulfed in a second World War, the indomitable Maisie Dobbs is plunged into a treacherous battle of her own when she stumbles on the deaths of refugees who may have been more than ordinary people seeking sanctuary on English soil, in this enthralling chapter in Jacqueline Winspear’s enormously popular New York Times bestselling series.
Critics have long sung the praises of Jacqueline Winspear and her bestselling Maisie Dobbs series. In the thirteenth installment, Maisie—"one of the great fictional heroines, equal parts haunted and haunting." (Parade)—is back with more mystery, adventure, and psychological insight.
When readers last saw Maisie Dobbs, it was 1938 and the world was on the brink of war. Maisie herself was on a dangerous mission inside Nazi Germany, where she encountered an old enemy and the Führer himself. In This Grave Hour, a year has passed and Maisie is back home in England—yet neither she nor her nation is safe. Britain has just declared war on Germany and is mobilizing for the devastating battle ahead. But when she stumbles on the deaths of a group of refugees, Maisie suspects the enemy may be closer than anyone knows.
Old fans will be delighted at Maisie’s return and new readers will be hooked by this thrilling installment in Jacqueline Winspear’s "thoughtful, probing series" (Oprah.com).
“The setting matters, but what may matter more is the lovely, sometimes poetic way Winspear pushes her heroine forward… May she shine on the literary scene for many books to come.”
USA Today, praise for the series
“A series that seems to get better with every entry.”
Wall Street Journal, praise for the series
“A female investigator every bit as brainy and battle-hardened as Lisbeth Salander.”
NPR, praise for the series
Orlagh Cassidy is an udiobook narrator who has twice won the prestigious Audie Award for best narration, as well as fifteen AudioFile Earphones Awards. She is a graduate of SUNY at Purchase and a recipient of the Princess Grace Foundation Scholarship. She has been seen on and off Broadway and in films, including Definitely Maybe and Calling It Quits. Her television credits include roles in Law & Order and Sex and the City and as Doris Wolfe on Guiding Light. She has done voice work for commercials in which she is probably best known for her role as the mom in the “BFF Jill” spots for AT&T.