The Marriage Of Heaven And Hell by William Blake audiobook

The Marriage Of Heaven And Hell

By William Blake
Read by Matthew Schmitz

Findaway World, LLC
0.58 Hours Unabridged
Format : Digital Download (In Stock)
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    ISBN: 9798882436468

Brought to you by Altrusian Grace Media and narrated by Matthew Schmitz. "The Marriage of Heaven and Hell is a book by the English poet and printmaker William Blake. It is a series of texts written in imitation of biblical prophecy but expressing Blake's own intensely personal Romantic and revolutionary beliefs. Like his other books, it was published as printed sheets from etched plates containing prose, poetry, and illustrations. The plates were then coloured by Blake and his wife Catherine. It opens with an introduction of a short poem entitled "Rintrah roars and shakes his fires in the burden'd air". William Blake claims that John Milton was a true poet and his epic poem Paradise Lost was "of the Devil's party without knowing it". He also claims that Milton's Satan was truly his Messiah. The work was composed between 1790 and 1793, in the period of radical ferment and political conflict during the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell, published in Latin 33 years earlier. Swedenborg is directly cited and criticised by Blake in several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral strictures and his Manichaean view of good and evil led Blake to express a deliberately depolarised and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order; hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Divine Comedy and Milton's Paradise Lost."

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Summary

Summary

Brought to you by Altrusian Grace Media and narrated by Matthew Schmitz. "The Marriage of Heaven and Hell is a book by the English poet and printmaker William Blake. It is a series of texts written in imitation of biblical prophecy but expressing Blake's own intensely personal Romantic and revolutionary beliefs. Like his other books, it was published as printed sheets from etched plates containing prose, poetry, and illustrations. The plates were then coloured by Blake and his wife Catherine. It opens with an introduction of a short poem entitled "Rintrah roars and shakes his fires in the burden'd air". William Blake claims that John Milton was a true poet and his epic poem Paradise Lost was "of the Devil's party without knowing it". He also claims that Milton's Satan was truly his Messiah. The work was composed between 1790 and 1793, in the period of radical ferment and political conflict during the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell, published in Latin 33 years earlier. Swedenborg is directly cited and criticised by Blake in several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral strictures and his Manichaean view of good and evil led Blake to express a deliberately depolarised and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order; hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Divine Comedy and Milton's Paradise Lost."

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Author Bio: William Blake

Author Bio: William Blake

William Blake (1757–1827) was an English poet, artist, and printmaker. Although largely unrecognized during his lifetime, he is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age. He is held in high regard by critics for his expressiveness and creativity and for the philosophical and mystical undercurrents within his work. He produced a diverse and symbolically rich body of works that embraced the imagination as “the body of God” or “human existence itself.” Reverent of the Bible but hostile to the Church of England, he was influenced by the ideals and ambitions of the French and American revolutions, as well as by such thinkers as Emanuel Swedenborg.

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Details

Details

Available Formats : Digital Download
Category: Nonfiction/Philosophy
Runtime: 0.58
Audience: Adult
Language: English