Orson Welles’s Last Movie: The Making of The Other Side of the Wind
By Josh Karp
Read by Keith Szarabajka
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In the summer of 1970, legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. It was about a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn’t autobiographical. The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took twelve years and remains unreleased and largely unseen. Orson Welles’s Last Movie by Josh Karp is a fast-paced, behind-the-scenes account of the bizarre, hilarious, and remarkable making of what has been called “the greatest home movie that no one has ever seen.” Funded by the shah of Iran’s brother-in-law and based on a script that Welles rewrote every night for years, it was a final attempt to one-up his own best work. It’s almost impossible to tell if art is imitating life or vice versa in the film. It’s a production best encompassed by its star, John Huston, who described the making of the film as “an adventure shared by desperate men that finally came to nothing.”
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Summary
Summary
An Entertainment Weekly Best Book Gift for the Pop Culture Fanatic
A Vulture.com Pick of What Our Editors Are Reading
In the summer of 1970, legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. It was about a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn’t autobiographical.
The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took twelve years and remains unreleased and largely unseen.
Orson Welles’s Last Movie by Josh Karp is a fast-paced, behind-the-scenes account of the bizarre, hilarious, and remarkable making of what has been called “the greatest home movie that no one has ever seen.” Funded by the shah of Iran’s brother-in-law and based on a script that Welles rewrote every night for years, it was a final attempt to one-up his own best work. It’s almost impossible to tell if art is imitating life or vice versa in the film. It’s a production best encompassed by its star, John Huston, who described the making of the film as “an adventure shared by desperate men that finally came to nothing.”
Editorial Reviews
Editorial Reviews
Reviews
Reviews
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A fascinating and extremely detailed book about an unfinished movie.
- This is a fascinating and extremely detailed book about an unfinished movie titled The Other Side of the Wind, which Orson Welles began directing in 1970. He finished filming in 1975, and then spent the next 10 years, until he died in 1985, working on completing it and getting it released. Welles was known for taking forever with finishing his movies, but this was ridiculous, even for him. There are those who think he is one of the great filmmakers, and others who view him as giving the world Citizen Kane, widely regarded as one of the best movies ever made, and then spending the rest of his career making movies that could have been great, but for whatever reasons, never fulfilled his early promise. In any case, this movie is about an aging movie director, and the changeover from the “Old Hollywood” to the “New Hollywood” of the late 1960’s that was ushered in by movies such as Bonnie and Clyde, The Graduate, Easy Rider, and Five Easy Pieces. John Huston, the director and sometime actor, played the lead. The movie takes place in a 24 hour period, in which the director dies in a car wreck. Welles’s vision used various types of film, including 8, 16, and 35 millimeter, as well as still photography, black & white and color, and lots of quick cuts, to create almost a montage of the last day in the life of the director. To be honest, I think the plot sounds awful, but according to people who have seen the unfinished version, it is quite spectacular, at least in terms of the technical aspects, which were supposedly ahead of their time. Given Welles’ genius and creativity, I can believe that. However, Welles really knew no boundaries, and had no talent at all for working on a deadline or managing money. The filming took place on and off for five years, which is quite astonishing. He would take forever on certain scenes, and run out of money, and have to postpone production, and obsessively edit what had been filmed. As time went on, and more and more people and firms contributed money (including the Shah of Iran’s brother-in-law), and even stole money, and it seemed as if the movie would never be finished, and the question as to who owned what rights and how much of a percentage (such as who owned the rights to the print and who owned the rights to distribution, etc.) became more and more convoluted, it all just seemed to get more absurd all the time. Some people believed that Welles never wanted to finish the movie, and that is why he kept playing around with the editing for so many years. In any case, even in the 30 years since Welles died, the movie has yet to see the light of day. Every time it seems that someone will finish editing it and release it, more legal issues pop up. I especially enjoyed the book up until the point of Welles’s death. After that, I missed having him around, but there was still more of the story to tell. After a point, a lot of the legal and financial wrangling became difficult to keep straight, and my mind would wander, but that is a large part of why this movie is still locked away. Keith Szarabajka is an excellent narrator, and does a very good imitation of Welles, as well as Huston.
Details
Details
Available Formats : | Digital Download, CD |
Category: | Nonfiction |
Runtime: | 8.41 |
Audience: | Adult |
Language: | English |
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