Blue Flowers

Blue Flowers



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Ravishing… as if Saavedra were a modern-day Borges. Translated brilliantly from the Portuguese by Daniel Hahn, Blue Flowers plays out in a musical dance between A’s letters and the slow immolation of Marcos’s world as he grows addicted to them. It’s a mystery, yes. It might be a ghost story. It is sexy, and often unsettling. By the end, you could be forgiven for chewing your fingernails, wondering whether it’s all a figment of Marcos’s imagination. Or not.
Luis Alberto Urrea, O, The Oprah Magazine

“Ravishing… as if Saavedra were a modern-day Borges.” —Luis Alberto Urrea, O, The Oprah Magazine

A novel of dark obsession, missed connections, and violent love.


Marcos has just been through a divorce and moved into a new apartment. He feels alienated from his ex-wife, from his daughter, from society; everything feels flat and fake to him. He begins to receive letters at his new address from an anonymous troubled woman who signs off as A. and who clearly believes she is writing to the former tenant, her ex-lover, in the aftermath of a violent heartbreak. Marcos falls under the spell of the manic, hypnotic missives and for the first time in years, something moves him.

Blue Flowers alternates between the letters detailing the dissolution of A.'s relationship, and Marcos' growing fixation with this damaged person. The letters become a kind of exorcism as both A.'s epistolary affair and Marcos' personal life reach a crisis point. Possessed by A., he is driven to discover her true identity. Blue Flowers is a dark portrait of desire, undermining accepted truths about love and sex, violence and fear, men and women.