The Master of Drums

The Master of Drums


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“Elizabeth J. Rosenthal has done an excellent job in taking the myth and making it into a man. Ringo Starr, Keith Moon, John Bonham, and Animal from the Muppets are all happily in Gene Krupa’s debt. I know I am.”

Slim Jim Phantom of the Stray Cats


From the early 1930s onward, Gene Krupa was a drum-centric rarity in the jazz world. Never before had a drummer been in the forefront as a solo artist. His galvanizing, unrestrained passion for percussion demanded it. Rocking the rafters, Gene thrilled audiences in ballrooms, nightclubs, and movies.

Seemingly born jazz-drum crazy in 1909 to a Polish-immigrant working-class family in South Chicago, Gene was a professional by the age of thirteen and soon made his first recordings. By the early 1930s, he was New York City's most in-demand drummer, and in 1934, joined brilliant clarinetist Benny Goodman's band, helped inaugurate the Swing Era, and played the first-ever swing concert at Carnegie Hall. He formed his own band and shattered racial boundaries by sharing the spotlight with the African-American trumpeter Roy Eldridge. But after a skyrocketing ride to the top, Gene experienced a rollercoaster ride of good and bad luck, emotional highs, and devastating depths.

In The Master of Drums, biographer Elizabeth J. Rosenthal crafts a celebratory, honest, and exhaustively researched portrait of a twentieth-century music legend. When he died, Gene Krupa may have left behind a world of grieving friends, colleagues, fans, students, and progeny, but as The Master of Drums proves, his dynamic musical and cultural influences live on.