The Ecstasy of Influence

The Ecstasy of Influence



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Hefty and remarkable .....These byways, all of which make room for eccentric flights as well as proper essays, augment the charm and impact of what Lethem prefers to call an 'autobiographical collage,' a phrase he lifts from Vonnegut. This influence seems only natural, for dominating all is Lethem's prime concern always: the novel....generous....exciting....openhearted, unconventional.
The New York Times Book Review

Among shortlisted titles for National Book Critics Circle Awards, 2011

Among shortlisted titles for National Book Critics Circle Awards, 2011

What’s a novelist supposed to do with contemporary culture? And what’s contemporary culture sup­posed to do with novelists? In The Ecstasy of Influence, Jonathan Lethem, tangling with what he calls the “white elephant” role of the writer as public intellectual, arrives at an astonishing range of answers.

A constellation of previously published pieces and new essays as provocative and idiosyncratic as any he’s written, this volume sheds light on an array of topics from sex in cinema to drugs, graffiti, Bob Dylan, cyberculture, 9/11, book touring, and Marlon Brando, as well as on a shelf’s worth of his literary models and contemporaries: Norman Mailer, Paula Fox, Bret Easton Ellis, James Wood, and oth­ers. And, writing about Brooklyn, his father, and his sojourn through two decades of writing, Lethem sheds an equally strong light on himself.