Poetry as Spellcasting

Poetry as Spellcasting


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Reading Poetry As Spellcasting, I kept lighting my altar, kept nourishing my body with fragrant oranges as I dreamt, wandered, and envisioned. This is a book for us, for opening up the creative portals toward liberation, one tender prompt at a time. I felt held by these rituals and poems, felt myself move deeply into spaces of collective care. Alongside contributions from luminaries such as Alexis Pauline Gumbs, Joan Naviyuk Kane, and Ching-In Chen, the editors invoke magic through heart-igniting reflections and vibrational prompts, beautifully reminding us of our woven power: ‘In this new mythology, you are always whole.’
Jane Wong, author of How to Not Be Afraid of Everything

Poems, essays, and prompts to sing a new world into being--Queer & BIPOC perspectives on poetry as an insurgent ritual for manifesting liberation and reclaiming power.

    For poets, spellcasters, and social justice witches, Poetry as Spellcasting positions poetry as a vehicle for healing-justice transformation.
It asks: If ritualized violence upholds white supremacy, what ritualized acts of liberation can be activated to subvert and reclaim power?
    Through essays from a diverse group of contributing poets, organizers, and ritual artists, Poetry as Spellcasting helps readers explore, play, and deepen their creativity and intuition as integral tools for self- and communal healing and social change. Each section opens and closes with a poem, ending with exercises and invitations to the reader.
  • Part I explores the ways in which language can both reflect and manifest reality--and shows that poetry and spellcasting allow us to enter into and harness language in active, heightened ways.
  • Part II focuses on summoning the Earth’s power, highlighting the magic of eco-poetry in the anthropocene and inviting readers into the embodied knowledge of the Earth.
  • Part III explores writing as ritual, ritual as practice, and practice as doing, drawing connections between the creative practices of poetry and spellwork.
  • Part IV centers on teachings from ancestors, practices for possible futures, and the legacy of poetry as political practice.
  •     Both poetry and occult studies have both been historically dominated by white, cishet writers; here, Poetry as Spellcasting reclaims the centrality of queer and BIPOC voices in poetry, magic, and liberatory spellwork.