Tarta Americana

Tarta Americana


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J. Michael Martinez’s expanding oeuvre so often investigates and overturns the high and low mythologies of the intersection between Latinidad and U.S. imperialisms: in Tarta Americana, Martinez brings this analysis home and into the intimate space of fandom, queer desire and inscription. This book is Gen X ecstatic in its ambitious formal range and showcases Martinez’s love affair with the sublimity of language at all its registers. Tarta takes us into “You language,” as a discourse meant to deliver us more deeply into a new form of lyric autohistoria-teoria in what is Martinez’s best work yet.
Carmen Giménez

A suite of poems that channels the legendary singer-songwriter Ritchie Valens to examine and question mid-twentieth-century conceptions of race and art, identity and desire

Ragged and raging across the spectrums of cognition, race, and gender, Tarta Americana lyrically envisions forms of survival outside neuronormative perceptions and histories. Against the recent tide of white nationalism in the United States, Tarta Americana finds a rhinestone in Ritchie Valens, the rock and roll legend, surfacing across time and bodies, genders and sounds, displacing the linear unfolding of desire and biography. Valens, the embodiment of corporeal transcendence, guides Martinez as he expresses his own neurodiversity, his struggles and triumphs, interrogating memory, gender, and race, traversing pain in search of compassion and joy. Tarta Americana, tarred and glittering, melodic in its screams, overdrives text and space in chase of American politics that could, at last, harmonize love with redemption.